Richard Bevan

  • Bywgraffiad
    Richard Bevan

    Abergavenny 2016

    Medal Aur Celfyddyd Gain

    Yn 2003, enillodd Ysgoloriaeth Artist Ifanc Eisteddfod Genedlaethol Cymru Maldwyn a’r Gororau ac yn 2016 enillodd y Fedal Aur am Gelfyddyd Gain yn Eisteddfod Genedlaethol Sir Fynwy a’r Cyffiniau. Yn 2024 derbyniodd Wobr Datblygu Eich Ymarfer Creadigol gan Gyngor Celfyddydau Lloegr am gyfres o naw darn animé.
    Yn ddiweddar dangosodd ei waith mewn sioeau unigol gyda Hidde Van Seggelen, Hamburg (2023) a sioe unigol fel Setsuko, Little Vehicle Projects, Nagoya (2024). Dangosodd mewn sioe grwp yn Arddangosfa Haf yr Academi Frenhinol (2026), TEFAF, Maastricht (2025), Ffair Lyfrau Celf Efrog Newydd (Artist Dan Sylw gyda Deunydd Printiedig), Efrog Newydd (2024), Ffair Lyfrau Celf Amsterdam Tokyo  (2021), ASP, ICA, Llundain (2020), Little Vehicle, Super Gallery, Nagoya (2020), The Gallery In The Expanded Field, blip blip blip, Moscow (2020), Sioe unigol, Cairn Gallery, Pittenweem (2019), Maquettes, The Block, Llundain (2018), A Portrait of Beth Harmon for a Screen Play, Tender Books, Llundain (2018), MULTIPLEXING, LUX, Cineworld, Glasgow (2018).

  • Y Fenni 2016

    Mae ffurfiau gweddol anghonfensiynol i’r ffilmiau a enillodd y Fedal Aur am Gelfyddyd Gain yn Eisteddfod 2016. Mae nhw mor hir â dwy awr o gylch dangos o fewn sinema, neu mor fyr a 13 eiliad fel yr unig waith mewn dangosiad mewn oriel. Mae gan bob ffilm fan cychwyn gwahanol ond mae nhw’n rhannu rhai nodweddion penodol. Mae yna densiwn rhwng y ddelwedd llonydd a’r un symudol; mae’r ffilmiau bron yn agosach at ffotograffau nac i ffilmiau o hyd traddodiadol. Nid oes trac sain wedi ei recordio ond mae sŵn mecanyddol y taflunydd yn y cefndir ac unrhyw seiniau eraill sydd i’w clywed o fewn y gofodau lle cant eu gweld.
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  • List of films shown:

     

    rf#

    2 minutes 45 seconds

    16mm film

    2012

     

    Chess Club

    16mm / 35mm film

    Looped

    2013

     

     Z LP DR BK PL PF ST NN

    Double 16mm films

    2 minutes 45 seconds

    2014

     

    RW2 (and a long piece of black leader)

    16mm film

    2 minutes 45 seconds

    2015

     

    I edit ‘in-camera’, usually shooting a single take, linking the time of the making to that of the viewing. They present a piece of displaced time. Where and how they are shown is important, they are not shown online or in showreels but presented as ‘objects’ in galleries or looped as installations in cinemas. The films could be seen as re-stagings of images I have created or ‘found’. A picture of a child playing chess, a physicist’s descriptive gesture during a lecture, an animator working on a model. Language is important. Film titles operate as non sequiturs, and as much as possible the films are not mediated by words such as statements or contextualising essays. The ambiguities that arise from this absence of words are productive. The works rely on images to communicate. A film of hands making subtle movements, or a girl's eyes as she plans her next chess move present thought processes hopefully reciprocated by the viewer.

     

  • Gweithiau

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